ODE TO THE WEST WIND BY P. B. SHELLEY
ODE TO THE WEST WIND BY
P. B. SHELLEY
O Wild West wind, thou breath of autumn’s being,
Thou,
from whose unseen presence the leaves dead
Are
driven, like ghosts from an enchanter fleeting.
Yellow,
and black, and hectic red,
Pestilence
– stricken multitudes, o thou
Who
chariotest to their dark wintry bed.
The
winged seeds, where they lie cold and low,
Each
like a corpse within its grave, until
Thine
azure sister of the spring shall blow
Her chariot o’er dreaming earth, and fill 10
(Driving
sweet buds like flocks to feed in air)
With
living hues and odors plain and hill:
Wild
spirit, which art moving everywhere;
Destroyer
and preserver, hear, oh, hear!
II
Thou
on whose stream, mid the steep sky’s commotion,
Loose
clouds like earth’s decaying leaves are shed.
Shock
from the tangled boughs of Heaven and Ocean
Angels
of rain and lightning; they are spread
On
the blue surface of thine aery surge
Like
the bright hair uplifted from the head 20
Of
some fierce Maenad, even from the dim verge
Of
the horizon to the Zenith’s height,
The
looks of the approaching storm: The dirge.
Of
the dying year, to which this closing night
Will
be the dome of a vast sepulcher,
Vaulted
with all thy congregated might
Of
vapors, from whose solid atmosphere
Black
rain, and fire, and hail will burst; oh, hear!
III
Thou
who didst waken from his summer dreams
The
blue Mediterranean, where he laid, 30
Lulled
by the coil of his crystalline streams
Beside
a pumice isle in Baise’s bay
And
saw in sleep old palaces and towers
Quivering
within the wave’s intenser day
All
overgrown with azure moss and flowers
So
sweet, the sense faints picturing them! Thou
For whose path the
Atlantic’s level powers
Cleave
themselves into chasms. While for below
The
sea blooms and the oozy woods which wear
The
sapless foliage of the ocean, know 40
Thy
voice and suddenly gray grow with fear,
And
tremble and despoil them-selves Oh, hear!
VI
If
I were a dead leaf thou mightiest bear;
If
I were a swift cloud to fly with thee,
A
wave to pant beneath thy power, and share
The
impulse of thy strength, only less free
Than
thou, o uncontrollable! If even
I
were as in my boyhood, and could be
The
comrade of thy wanderings over Heaven,
As
then, when to outstrip thy sky speed 50
Scare
seemed a vision, I would ne’er have striven
As thus
with thee in prayer in my sore need.
Oh, lift me
as a wave, a leaf, a cloud!
I fall upon
the thorns of life! I bleed!
A heavy
weight of hours has chained and bowed
One too
like thee: tameless and swift, and proud.
V
Make me thy
lyre, even as the forest is:
What if my
leaves are falling like its own?
The tumult
of thy mighty harmonies
Will take
from both a deep, autumnal tone, 60
Sweet
though in sadness, be thou, spirit fierce.
My spirit!
Be thou me, impetuous one!
Drive my
dead thoughts over the universe
Like withered
leaves to quicken a new birth!
And, by the
incantation of this verse
Scatter, as
from an extinguished hearth
Ashes and
sparks, my words among mankind!
Be through
my lips to awaken earth
The trumpet
of prophecy! O, wind,
If Winner
comes, can spring be far behind? 70
CONTENT ANALYSIS of the POEM
Ode to the West Wind is a celebration of the West Wind
for which the poet has much respect. Stanzas one to three describe the west
wind, its activities and capabilities.
The wind’s effect on leaves and seeds are graphically presented.
He carries them to their dark wintry bed, where through the effect of rain,
they germinate and produce sweet buds like flocks to feed in air. The wind,
according to the poet, is seen as an angel of rain and lightning.
In the next stanza, we can clearly see the poet’s long
friendship with the wind.
In the last stanza, his objective is to find a way of
not disturbing his poetic thoughts. He wished to be an apostle of peace and
harmony carried on by the wings of the ubiquitous west wind across the world.
POETIC DEVICES
(i)
Personification: Line 1, “breath of autumn”.
(ii) Simile: Line 3, “like ghost”, line 8 “like a corpse”.
(iii)Apostrophe: “O wild west wind …”
(iv)
Symbols and images: portray fertility, reproduction, abundance vegetation; classical
legends and the supernatural are poetically adopted applied in the poem.
(v) The stanza takes after the Italian terza rima. Each
stanza consists of a set of four tercets followed by a concluding couplet. The
rhyme pattern of the first stanza is aba/bcb/cdc/ded/ee.
(vi)
Biblical
allusions: Lines 6, “chariotest”; line 25, “Sepulchre”.
THEMES
(i)
The beauty of
nature
(ii)
Theme of destruction
(iii)
Desire to do good
MOOD
The mood of the poet is that of bewilderment astonishment.
There is also the mood of regret since the poet cannot equal the power of the
wind.
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