FILM APPRECIATION/CRITICISM/AUDIENCE COMPOSITION/CLASSIFICATION OF FILMS/SCREENPLAY
FILM APPRECIATION
FILM CRITICISM/AUDIENCE COMPOSITION/CLASSIFICATION OF
FIRMS/SCREENPLAY
BY
EGURIASE S, M. OKAKA
When we study
a movie for example and come out with cogent points of our own which may be
going into the writer’s mind or having a better picture of his or her thoughts
or intentions, aims or objects or goals of a story we can talk clearly of
appreciating such work. Film Appreciation involves criticism of a work of art.
Before we can criticize any work of art we must first take some vital points
into consideration:
·
Plot
·
Characterization
·
Theme
/ thought
·
Diction
or Language
·
Suspense-
Suspense heightens anticipation or hope.
·
Action
/ Mood
·
Music
/ Sounds
·
Tempo
/ Rhythm / Pace
·
sequencing
·
Audience
·
Visual
effects
·
Spectacle
etc.
The
above listed items are also the parameters for judging or appreciating a film
or criticizing it.
THREE POINTS WHICH CRTICISM REST ON:
Film
Appreciation rest on three critical points and they are also referred to as the
fundamentals of film appreciation:
·
Locate – Say what is good in the film and
why it is good.
·
Locate – Say what is bad in the film and
why it is bad and how it can be better.
·
Add your own candid suggestion.
AUDIENCE
We have different types of audience and films are
always directed towards the diver’s type. Film makers always have the various types
of audience in mind when making films. Audience is essential to the production
of any film or play because any film produced is made for a target audience. A
target audience is a group of persons a film maker have in mind when producing
a film and the message is directed at them. But what an audience is, and what
we really know about them?
We can differentiate the audience from the spectator
by simply defining a spectator as an individual watching any production while
the audience is a collection of individuals or spectators watching a production
or sharing or spectating an experience.
When seeking to understand the audience we have to
consider who watches films; how, where and when they are watched;
·
How
many people watched the film and what do they do after watching.
·
How does it rob off on their lives
·
What
roles do films play in our lives?
·
How
do we actually watch films and with who?
·
How
do we use and talk about our film experience e.g. How do we use it to educate, entertain,
argue etc.?
There is a
need to appropriately understand composition e.g. People understand film
differently. We cannot treat audience as a single monolithic mass (everybody is
the same) The audience is heterogeneous and can contain many people from
various groups. Parts of the consequence of this are the fact that:
·
Different
films are enjoyed or hated by different people at different times.
·
Films
are watched widely in different circumstances, e.g. in cinemas, homes, on TV,
DVD, over the internet, on airplanes or alone in a cave.
Audiences have been categorized in
two main ways:
·
Demographic: This is where groups are segmented
according to class: gender, age, family, nation, ethnicity, religion, political
allegiance, region, urban or rural, or the educated etc.
·
Psychological: This where the audience are
categorize in terms of needs and desires such as the desire to be rich.
CLASSIFICATIONS OF FILMS
This is the classifications of films according to
type. The word Genre means type it is a French word used to classify films.
Film genres as the case may be, have existed since the early days of cinema.
Films were frequently categorized as being:
·
Crimes-
(Historical films)
·
Romance
·
Comedy
·
Fantasy- (Scientific fictions)
·
Actualities-
(Documentary films)
·
Western
films- (Cowboy’s films) etc.
However with the identification of new genres; the description
given to the different particular type of film has frequently changed
classification of films into Genres. It helps the film industry organize
production and marketing in terms of target audience with specific target
audience in mind, suitable props, actors, and location would be used. Also
films are prompted as being of a particular type. An audience in turn uses the
marketing description as film guide to what to expect.
Nowadays, most production ends up being assigned to
one Genre or the other. In all cases what makes a genre possible is the
existence of common elements across a range of production. An important term in
Genre analysis is “convention”
meaning the way in which something is done or usually done. Because certain
films are done taking the usual way or convention which recognize similarities with
other films. Such similarities between them and consequently describe them as
belonging to a particular genre.
If repetition is a key requirement for the identification of a particular
Genre no two is different. When watching
a film we become aware not only of how it is similar to other films but also of
how it differs. Genres exist not only because there is repetition across a
number of film or range. The demarcation of films by genres emphasizes difference
between types.
It has been noted that genre have had importance for
both film industry and audience during the formative years of the cinema and this has been the case even as the
industry established itself further.
SCREENPLAY
Screenplay is the interpretation of shots. That is the
camera tells the story to the audience or viewers as the case may be. Through
the shots the audience can get the true picture of the story told by the
camera.
A screenplay is judge not on the basis of how well it
is. A good plot must be easy to follow and also have a beginning, middle, and
an end. The plot is always centered on the theme.
When talking about plot you talk about the beginning
middle and the end not more than ten sentences. When narrating a film say
whether it is easy to understand or follow and if it has suspense. Then
illustrate it in one sentence. Are all the plots revolved?
Go over to talk about the character for examples if
you say the baby is intelligent show us an example where the baby shows it.
Before you talk of the plot the first thing that comes
to mind is the “Theme” The theme of a play or film is tied to the plot.
Technical details include sound effect, music, sequence
and picture quality. There are special effects which include entertaining
Action and Dialogue. If it is a family
film the tempo will be slow when the film is action packed the tempo will be
fast.
Spectacle is more of drama than screenplay. It is more
of stage drama. The key concept in film sequencing is TO SHOW NOT TO TELL.
Horror films use shots and sound to tell story.
Visuals in films can be refer to as those things we
see in the film that brings or talk more about the film, like the beautiful landscape,
waterfall, River, the sun, moon, trees etc. visual effects refers to the things
in the film which make the characters look extra-ordinary. Examples are montage
films where people can fly (Batman) or films where fire comes out of the
character’s eyes.
SEQUENCING ACTION / BUILDING AN
ACTION
Montage is a series of picture shots that establishes
an idea. It is crafted in such a way that the pictures come rapidly to first
establish an idea. Example could be seen in all stations identification logo and
picture shows; is a typical example. The shots should not necessary be related
but you can also have a montage that is related.
Sequencing of shots is very important in the film and
what is important is to show the shots and not to show the dialogue. The key
concept is to SHOW NOT TO TELL. In modern movies show in sequencing and not
tell.
MUSIC / SOUNDS EFFECT
It refers to all patterns of Music / sounds in a film
production which ordinarily is the ingredient that further promotes the film
production. These sounds could include relevant atmospheric sounds, night
sounds, village sounds, etc. These sounds can interprets the film further or
push it further.
By
Egurise S. M. Okaka
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