Eguria

COSTUME / MAKE-UP Costumes are generally cloths actors put on in the theatre. Costumes are cloths appropriate for a character in a play. It is also refers to as accessories worn by actors or character as the case may be, e.g. accessories   such as hats, earring, wrist watches, necklaces, etc. Generally, they are anything worn which is not cloths. Anything worn by any actor on stage and not put in use by the actor should not go on stage. It means that every items or accessories with actors on stage should be put to use within the duration of that scene. Make-up comes in liquid or solid form. They are often applied to body parts not covered by cloth that is going to be exposed. The function of costume is also the same as the functions of make-up and they are outlined below: FUNCTIONS OF COSTUME AND MAKE-UP The functions of costume / make-up are listed below: 1.       It help to interprets the play 2.       It help determine hierarchy (position or ranking) 3.       It

ELEMENTS OF THEATRE Theatre is a collaborative art which is based on performance (acting). It is derived from the Greek word ‘Theatron’ which means a place of seeing. That is where the word came from. Note that when you hear the word theatre you hear the word performance because theatre is all about performance. Everybody whether directly or indirectly is involved in theatre or one form of performance or the other, in our everyday routine we perform or act. It is only wise to say that we are all actors as we are acting on a stage (the world) with entrance and exit (birth and death) before the audience (the people of the world).             The element of theatre includes: 1.       Costume: Costumes are clothes Actors put on on a stage performance. 2.       Make-up: This comes in liquid or solid form. It is applied on the boby part of actors on stage. 3.       Music and dance: This involves the production of sounds agreeable to the ear and the movement of the body to mu

BRIEF HISTORY OF DIRECTING THE 18 TH CENTURY The 18 th century brought interest in directing or acting and interpretation of characters. Production was only considered good with the performer’s leading roles at presentation. At that time it also advances in technology which means that the audiences came to the theatre for a visual experience rather than a strictly literary one. Spectators were awed and excited by the lighting system on stage design the rediscovery of the Roman city of Pompeii in something approaching the modern director emerged. THE 19 TH CENTURY The first step towards defining the role a modern director were taken by German poet, Wolfgang von Goethe who in 1790 took charge private theatre in the city of Weimar. He applied to acting and stage practice the same thorough approach that he used in scientific. Goethe lorded over his unruly actors making rehearsal resemble actual productions and forcing his performers to behave naturally without affections o

SWEET MOTHER BY PRINCE NICO MBAGA ANALYSIS BY EGURIASE S.M. OKAKA In the early 1980s Prince Nico Mbaga a high life singer from equatorial Guinea stormed the Nigeria music scene with a thought provoking album track titled “SWEET MOTHER.” I was in my tens when I first heard this song from this great singer. This music was a bomb which exploded and unfolded the importance of motherhood to the world. Nico Mbaga narrated the story of motherhood and stylishly shows us the sufferings which mothers go though when rearing their children. His narration also gave hope to the would-be mothers. This is one of the best of Africa music that told the story of a complete Africa mother.   Indeed, this is one story told in the language that all can relate with that is, the pigin English.             Nico seized the opportunity to tell the world of his experience and sufferings his mother went through in bring him up. We can understand that he first tasted and drunk from the cup of water befor