Eguria

  THE MARRIAGE OF ANANSEWAA   BY EFUA T. SUTHERLAND   AUTHOR’S BACKGROUND   Efua T. Sutherland is a Ghanaian, she is an innovator and she founded an Experimental Theater in 1958 and her plays, in Akan were acted. She has experimented with the integration of traditional Africa forms and European theatrical practice.   The Marriage of Anansewaa is an experimental drama, for the playwright deviates from western/European conventional forms. Among the works of Efua Sutherland are: Anansewaa and the Dwarf Brigade, a play developed from a folktale, and Edufa. The dramatist uses the traditional folktales of her people – Akan people – to teach morals. TEXTUAL BACKGROUND AND SETTING   The Marriage of Anansewaa is from 'Anansesem' – a form of storytelling by the Akan-speaking people developed from ‘Anansegoro.’ The name of 'Anansesem' literally means Ananse story. Ananse means spider. Ananse appears to represent a kind of every man, artistically exaggerated and d

OLA ROTIMI: THE gods ARE NOT TO BLAME   AUTHOR’S BACKGROUND   Emmanuel Gladstone Olawole Rotimi was born on 13 April, 1938 in Sapele, Delta State of Nigeria. He had his primary and post-primary education in Nigeria from where he went to America for a degree in Drama at Boston University, and Yale University for a postgraduate degree in play-writing and Directing.   His published play include The Gods Are Not to Blame, Our Husband Has Gone Mad Again, Kurummi, Ovonramwen Nogbaisi, If, Holding Talks, and Hopes of the Living dead. He is a professor of drama and he is married with children. TEXTUAL BACKGROUND AND SETTING   The play has a Nigeria cultural setting, specifically Yoruba setting. Thus, there are references to Yoruba towns like Ede and Osogbo, and the imaginary towns (a Yoruba city) Kutuje, where the actions of the play is centralized.   The Gods Are Not to Blame is an adaptation of the ancient Greek play Oedipus Rex-King Oedipus – written by a famous playwrigh